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“The willow sees the heron’s image… upside down.”

This Haiku of Basho gives the parable of the hypothetical construct of world view and our individual anchoring in it.
On a ride through foreign places, the glance on cultural identity separates into its fragments. The fragments arise from interior, medial, dreamt pictures, fed on yearnings, projections and surfaces. Sequences occurs which allow complex layering: the token picture is the picture of the picture of the picture.

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